Hello!

I'm Mario Parra, Chilean graphic designer and illustrator based in Berlin.
My work is mainly focused on finding the most efficient and elegant solution possible, driving the creative process through strong concepts, considering carefully every detail and seeking the beauty.

Welcome to my place!

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Gallereplay

Portfolio for berliner provider of high quality cinemagraph.

web
ux/ui
FRONT-END

Gallereplay

Colors

#252c36
#1fdb7d
#f7f7f7

Typography

Elements

When I came across cinemagraphs I couldn’t believe it. That sweet place between photo and video showed me a new world of possibilities that I wanted to be part of.
Gallereplay is constituted for a energetic young team with a clear perspective of what they wanted to do. We developed a modern one page scroll, moving the brand slightly to the next direction.
Currently working with them in surprises yet to come.
I really love their work. Check it out.here.

GO TO WEB

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Berlin

Illustration for Victorinox's contest.

ILLUSTRATION
CHARACTER

Berlin

Illustrations made for a Victorinox's contest "Classic Limited Edition 2018, Places of the World".
More information soon!

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Letrera Font

A Chilean typography based on letters of sign painters.

TYPOGRAPHY
LETTERING
GRAPHIC DESIGN

Letrera Font

Letrera is a project that was born in my university time with the aim of rescuing and unify the letters of sign painters of Talca. Mostly one of them. Obviously I’m not a typographer, but this work helped a lot to enhance my abilities to detect inconsistencies in visual language and reveal a few secrets of typography. In honor of those anonymous heroes for their exquisite and unique work.

DOWNLOAD THE FONT

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Sebastián Castro

Album design and other pianistic pieces.

Branding
concept
Experimental

Sebastián Castro

Sebastián is one of the most important pianist of the current Chilean jazz scene but his qualities goes beyond that. He suddenly showed up and within a short period of time he became a key piece and face of a renovated generation. We began set up certain guidelines to be applied in flyers, that eventually would consolidate this graphic world into his first album.

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Playing Cards

Mapuche's thematics taken to cards.

PERSONAL
ILLUSTRATION
CHARACTER DESIGN

Playing Cards

The genesis of this deck comes from my motivation to spread the Mapuche culture and try to awake interest on the history of this ethnic group that occupied plenty of the Chilean territory. I chose playing card because to get my goal I needed a popular platform and also because I liked the idea to build a character that matches with the other side of the mirror.

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Autentia

Corporate identity for biometric authentication pioneers.

Branding
Concept

Autentia

Colors

#004782
#1e80e8
#63C5F7
#e1dfda
#ff805d

Corporate image for a Chilean company pioneer in identity verification.

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ESJAZZ

Brand design for jazz school in Chile.

web
ux/ui
branding

ESJAZZ

This school has come gaining adepts since its foundation thanks to its jazz-focused that has addressed a surprising interpretation level of its students.
Currently developing the website.

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Insitu Locations

Minimalist website for location experts.

web
ux/ui
FRONT-END

Insitu Locations

Insitu Locations and Services is Worldwide thumb services production company with more than 15 years experience, that ensure the highest standards in all aspects of the production.
Brand refresh, web design and front-end.

GO TO WEB

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ISIC Card

Character illustration for ISIC card diffusion.

illustration
character

ISIC Card

Colors

#8be8dd
#3dc9bf
#ac445e
#6b223a
#ffa04c
#ff7d39
#ffe5c0
#ffcf99

The ISIC Association is a non-profit organization that accredits students abroad through a discount card. With the purpose to attract more students to acquire the card I created a colourful illustration that reflect an international situation.

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Grupo Fides

Corporate image for human resources company.

UI/UX
FRONT-END
branding

Grupo Fides

Grupo Fides is a holding of integral solutions in the matter of human resources. I was fortunate to start the process of its formation and develop the brand from stationery to the website.

GO TO WEB

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Illustrations

A collection of my favorite illustrations.

Illustration
character
EXPERIMENTAL

Illustrations

Lonely illustrations which by themselves are not enough to be a project, nevertheless preserve certain importance that makes them deserving a space in this place to be shown.

La Ragion Avanza

Maule was one of the most affected region in the earthquake of 2010 (27F, Chile) and the consequences were devastating for its inhabitants. For this very reason the authorities commission me to create an illustration that aim to bring hope and raise the spirit before such catastrophe.

The Wrecks

Optical Effects

Some shape exercises, chromatic equivalences and tricks for our wonderful perception. Optical effects is actually a sort of euphemism for brain failures.

Metrogas

Scenes, composition and illustrations for motion graphics.

Classical Music for Children

Jasper Huysentruyt Trio

Illustration for a concert of Jasper Huysentruyt, Belgian pianist based in Chile and one of the main exponents of the jazz scene.

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Metrogas

Characters and elements for motion graphic.

Illustration
Character
Concept

Metrogas

Character design, creation of elements and composition for motion graphic of an advertising campaign that encourage building managers to use central heating.

WATCH THE VIDEO

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En La Cancha

Illustrations for football television show.

Illustration
Character
CONCEPT

En La Cancha

En La Cancha is a program of the CDF channel (Chile) that from different situations and realities of the soccer world reveal learning in several areas of knowledge.
My participation in this program include the illustration of all elements, characters and chromatic, based on a strict geometry.

About me

As a child, I was always good at breaking things just to see how they were made. In some way the visual stimulations came out and turned that curiosity into the unbounded world of creation. Some years of preparation in my boyhood gave me the understanding of colour, space, shapes, proportions and a fantastic toolbox to represent the reality and/or create one. Then I formally studied design for three years in the university, when I learned the principles of the discipline, until I realized that I had to set up a path determined by my own concerns, thus continuing my career as an autodidact. Since then, my learning has been shaped in the battlefield, exploring a vast diversity of projects within agencies and as a freelancer. However, despite this portfolio showcases mostly graphic design, I’m experienced in some others visual fields such as, photography, 3D rendering, videos and animation as well.

Don’t be shy, drop me a line!

About my work

I think that as individuals, we have the duty of improve the world around us by raising the consciousness of the society and the only way to do so is carry out bravely our labores whatever it is.  Therefore, I've devoted my life to my work, facing the design problems far away from any emotions or biases in order to get the optimal results. This philosophy allows me to have an objetive perspective to collaborate with different people, disciplines and workflows.
Given my background I've developed a thorough understanding of design thanks to the specialization in three different areas:

Illustrations

My illustrations are characterized by the absence of lines, where the edges give life to the form throughout basic shapes with a very few well chosen colours.

Branding

Personalities are unique when their attributes have been completely explored. I represent these attributes steering the concept process toward consistent and sophisticated results.

Digital

I develop digital experiences for human beings. Wireframes & Prototypes, UI/UX, Font-End, HML5, CSS3 and Javascript enough to make certain things happens.

About my brand

After dropping out the university -over there in 2009-, I knew I needed in somehow to find a mighty identity which represented my work. Operación Quimera (Chimera Operation) came into my mind as a response to the exercise of sorting my stuff out. I decided to adopt the name because of the spontaneity with which emerged and because represented the nature of my creations at that time. The absence of color is due to the fact that it plays a neutral role to maintain the importance on the works. Since the first version I had the intention to take “O” and “Q” as symbolic elements given the similarities they share and exceptional qualities to be reflected. Being my own brand, it has been mutating slightly over the years and after having settled to Berlin I developed this final version, shortening the name to “oqgraphic”.

FIRST AND CUTE VERSION
2009

SECOND ATTEMP, CLEANER CONCEPT
2014

CURRENT VERSIOn, even MORE ABSTRACTION
2017

I granted myself permission to experiment with an uncommon layout on this website. I highlight the value of perspectives, so let me know if you have something to say about your experience on it.
Currently available for projects and new adventures.

Let's make some magic together!